Linlin Yang

Linlin Yang

May 05, 2026

Drama terracotta, Interactive imaging, Digitization, Performativity.

As a traditional art containing characters and narrative genes, the “performativity” of the drama terracotta has been sealed for a long time due to physical solidification and viewing barriers. This paper takes the drama terracotta as the research object, integrates art and media theory, and uses interdisciplinary case analysis to analyze the practice of interactive images and drama terracotta. It constructs a narrative framework with “embodied interaction” as the core, activates the contemporary narrative potential of the drama terracotta, and reveals the integration mechanism of interactivity, body perception and narrative construction. Its theoretical significance lies in broadening the boundary between narratology and performance research. In practice, it provides a specific path for the innovative development of new media art creation and traditional cultural performance.

© 2026, the Authors. Published by ISCCAC

This is an open access article distributed under the CC BY-NC license