Innovation Humanities and Social Sciences Research (IHSSR)

Publisher:ISCCAC

Context, Image, and Landscape: A Comparative Study of Chinese and Soviet Anti-Fascist Songs Taking "The Sacred War" and "On the Taihang Mountains" as Examples
Authors

Zhuzhi Peng

Corresponding Author

Zhuzhi Peng

Publishing Date

15 September 2023

Keywords

Anti-fascist war, Anti-Japanese war songs, Socialist realistic aesthetics.

Abstract

The Soviet Union and China made indelible contributions to the anti-fascist war, during which music works with strong echoes were born. The music works born during the war shaped national identity and boosted the morale of the anti-fascist war. However, due to the different geographical conditions, forms of war, and social conflicts between the two countries, the anti-fascist songs of the two countries have different characteristics. The article compares the similarities and differences between "The Sacred War" and "On the Taihang Mountains" from three perspectives: the "context" of song creation, the artistic "image" in the song, and the "landscape" shaped by the lyrics. The literary and artistic workers of the Soviet Union and China, based on the perspective of socialist realism aesthetics, created songs that served their own political needs, which have condensed national emotions, and strengthened their sense of community.

Copyright

© 2023, the Authors. Published by ISCCAC

Open Access

This is an open access article distributed under the CC BY-NC license